– BAFTA ’10

A double shocker for James Cameron, a weeping Christoph Waltz, a few BAFTAs that tell us why these things will never be bigger than the Oscars and a super surprised Kathryn Bigelow were all part of the BAFTA night this year.

and the BAFTAs go to,

Best Film: “The Hurt Locker”
Best Director: Kathryn Bigelow – “The Hurt Locker”
Outstanding British Film: “Fish Tank” – Kees Kasander, Nick Laws, Andrea Arnold
Outstanding Debut by a British Writer, Director or Producer: Duncan Jones (Director) – “Moon”
Best Leading Actor: Colin Firth – “A Single Man”
Best Leading Actress: Carey Mulligan – “An Education”
Best Supporting Actor: Christoph Waltz – “Inglourious Basterds”
Best Supporting Actress: Mo’Nique – “Precious: Based on the Novel
PUSH by Sapphire”
Rising Star Award: Kristen Stewart
Best Original Screenplay: “The Hurt Locker” – Mark Boal
Best Adapted Screenplay: “Up in the Air” – Jason Reitman, Sheldon Turner
Best Animated Film: “Up” – Pete Docter
Best Film Not in English Language: “A Prophet” – Pascal Caucheteux, Marco Cherqui, Alix Raynaud, Jacques Audiard
Best Cinematography: “The Hurt Locker” – Barry Ackroyd
Best Film Editing: “The Hurt Locker” – Bob Murawski, Chris Innis
Best Production Design: “Avatar” – Rick Carter, Robert Stromberg, Kim Sinclair
Best Costume Design: “The Young Victoria” – Sandy Powell
Best Special Visual Effects: “Avatar” – Joe Letteri, Stephen Rosenbaum, Richard Baneham, Andrew R. Jones
Best Makeup & Hair: “The Young Victoria” – Jenny Shircore
Best Music: “Up” – Michael Giacchino
Best Sound: “The Hurt Locker” – Ray Beckett, Paul N. J. Ottosson

Best Short Film: “I Do Air” – James Bolton, Martina Amati
Best Animated Short: “Mother of Many” – Sally Arthur, Emma Lazenby

The BAFTA edit of the film personalities that have left us last year had one of Daskino’s favorite and also a loved director amongst most kids from the 80s onwards. He is the director of ‘The Breakfast Club’, ‘Ferris Bueller’s Day Off’, ‘Home Alone’ and a bunch of other popcorn masterpieces. John Hughes’ work will be missed.


About daskino

trying to use films and lines as an outlet to my disastrous sense of expression.
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